See sound and hear light. Like a DJ uses sounds, Gabayet imagines a bridge between the digital and the material. He samples a vast library of shapes in infinite combinations and compositions. The justification and pursuit of the work are to mirror electronic music on visual mediums, with the ambition to infiltrate the "Rave culture" into the "Fine art scene". However, repetition, pattern, loops, rhythms and other similar reoccurring human instincts compose the attraction to this contemporary genre. By continuing to sample and appropriating shapes from anywhere the vocabulary expands and perhaps someday it will achieve a similar catatonic reaction that you would get at an electronic music performance. Gesamtkunstwerk and sensory overload are the purposes of the design of Gabayet's work. To take the mind hostage to turn it into a puppet he can control with his mantric-like spells. Size is important, location is essential, and reproduction is necessary. The viewer runs up to the artwork, and when they do, they go into a universe with as many people as possible simultaneously, everyone in sync at the same rhythm.